amelia_petkova: (Default)
Almost one year later, I haven't written the rest of my Jane Eyre reaction posts. This isn't it! Instead, I've been decluttering my recent "scribble notebooks" and found some thoughts from my reread of "The Woman in White" in 2020:

Walter and Marian are like a Victorian Scooby Doo. Supporting evidence:

The "ghost" seen by a little boy in the cemetery near the school is a real woman.

The villains are men motivated by money.

Walter and Marian are good at investigating.

Conclusion: I would pay good money to see a The Woman in White/Scooby Doo fusion TV series.
amelia_petkova: (Default)
I never read Jane Eyre for school. It was one of those books Everyone Has To Read that somehow missed my entire education, like Romeo and Juliet. I did read Jane Eyre just because I felt like it, I think when I was a teenager. I must have liked it because I didn't remember hating it, never watched any of the movies, never got around to re-reading it...until now. I'm able to spend part of each workday listening to my headphones and I've been working my way through a lot of audio books. And last week I decided to re-read Jane Eyre. I remembered all the main plot points, but not so much of the details. Thoughts in roughly chronological order:

Jane's aunt and cousins are hell on wheels. I wanted to start cheering when, just before Jane goes to school, she reams out Aunt Reed--excuse me, "Mrs. Reed"--about how Jane will never call her "aunt" again and will tell the entire world in detail about what a terrible person Mrs. Reed. I don't have a paper copy or ebook checked out from the library right now, so I can't quote, but my jaw dropped behind my face mask (I have to work at the office) when I listened to that speech. And then Mrs. Reed leaves the room! She's scared and runs off!

Mr. Brocklehurst can also drop dead. I know the general outline of Charlotte Bronte's biography, and I feel like his character is one of the ones where Charlotte must have drawn heavily from people she met in real life, and used this book as an excuse to absolutely roast them.

Helen Burns IS the trope embodiment of "too good for this sinful world."

I like Mrs. Fairfax so much! She's so kind and welcoming when Jane arrives at Thornfield Hall.

More reactions to come later, when I have more time for blogging.
amelia_petkova: (Default)
I realize I didn't actually write much about what the book is about in my first post. The first half of Shades of Milk and Honey is more character-driven rather than plot-driven, establishing what Jane's life is like in the country and her society. At the beginning, we learn that Netherfield is let at last the young Captain Livingston, who Jane and her younger sister Melody knew as children, has returned to stay with his aunt Lady Catherine de Bourgh Lady Fitzcameron. Naturally Melody and most of the eligible young ladies in the neighborhood are ready to swoon. Jane is more mellow about it.

We are also introduced to Mr. Dunkirk, who Jane gets along with and is attracted to, but manages to talk herself out of every compliment he pays her by twisting it around so that she believes he's really complimenting Melody who is briefly infatuated with Mr. Dunkirk at the beginning of the story. Mr. Dunkirk also introduces Jane to his younger sister, Georgiana Darcy Elizabeth Dunkirk who has just come to stay with him. Jane immediately makes friends with her, and takes Elizabeth under her wing, and it's all very sweet.

Jane also meets Mr. Vincent, who is a professional glamourist hired by Lady Fitzcameron to create a glamour display ("glamural") at her house. Continuing the Austen vibes, they have a number of interactions invoking Mr. Darcy and Elizabeth, though Jane is far more restrained and polite throughout. "Repressed" may be a more accurate term.

Mrs. Ellsworth, Jane and Melody's mother, doesn't have an obsession with marrying her daughters off but is otherwise so much like Mrs. Bennett that I was surprised she never literally said "my poor nerves!"

The plot picks up steam about halfway through the book as secret relationships are revealed and there's more focus on the physical effects from working intense glamour.

spoilers )

Shades of Milk and Honey is the first book in a series and I liked it well enough to give the second book a try.
amelia_petkova: (Default)
My current audio book is "Shades of Milk and Honey" by Mary Robinette Kowal, which I had vaguely remembered being advertised as "Jane Austen-esque fantasy" and had been on my To Read list for a while. I'm limiting myself to just a couple hours of listening each day, to make it last longer.

So far I've seen that yes, it's fantasy set in Regency England with a Jane Austen-type mood. It sets up the fantasy element right away, showing that this version of England has the magical art of glamour, which can be used by either gender but is included in the arts that genteel young ladies should learn.

Reactions so far:

I like Jane but there might be too much of how little she sees her self-worth. She's not beautiful, but she's accomplished and intelligent and the people she meets generally find her interesting.

Melody, the younger and beautiful sister is certainly feather-brained. The two sisters do love each other, but that fact that they end up being attracted to most of the same men isn't helping their sisterly bond at the moment.

Spoilers and plot theories behind the cut )
amelia_petkova: (Default)
Hello! It only took a pandemic to get me posting on DW again. Overall, I'm doing all right. I'm still employed full-time so that's the biggest source of worry out of my life. I had a minor illness about a month ago but wasn't sick enough to get tested. I get some kind of respiratory infection at least once a year, so it's anybody's guess whether I had corona virus or was just generally sick. I'm still getting my asthma beat back into submission but that's all. I miss seeing my friends in person and I want to travel.

It's good seeing everyone else's posts.

I've been trying to enjoy more books and TV shows since I can't do much outside of work other than going on walks and grocery shopping. Thoughts so far:

After rewatching a number of episodes from later seasons of The Closer, it could easily be subtitled Captain Raydor and Oh My God, What Did You People Do Now? I love her. The episodes featuring the misadventures of Flynn and Provenza continue to be my favorites.

My TV provider unexpectedly gave me a bunch of extra channels (for free as far as I can tell) including Showtime, and I now have access to all of Penny Dreadful. This pandemic just got a little bit better. I can finally watch Season 3! (I already hate the end of it based on spoilers, but I want to see at least the first half of that season.)

I listened to the audio book for Jane Austen at Home by Lucy Worsley and it's great. I want to re-read all of Jane Austen's novels now. On a related note, I read Lady Susan early this year--it was hilarious.

I began reading The Decameron for the first time. It's been on my To Read list for years but this was definitely the right time to began reading a work of literature about a group of people who flee from the bubonic plague to the Italian countryside where they tell stories for ten days. If I began highlighting passages from the Introduction that have meaning for me due to our current pandemic, I'd end up highlighting the entire thing. I'm on Day 1 at this point and the stories are hilarious.
amelia_petkova: (Default)
I'm halfway through listening to the audio book of The Awakening by Kate Chopin for the first time. Events so far can be summed up as Edna, the protagonist, saying, "I don't give a fuck and I'm gonna do what I want" and her husband in the background going "WTF?" again and again.
amelia_petkova: (Default)
Maybe this will be a way to keep me posting more often! I didn't read a lot of books in January but I did get through two audio books:

Revolution by Jennifer Donnelly
Bury My Heart at Wounded Knee by Dee Brown

Revolution is a Young Adult novel that I know is popular because the library I used to work at had copies stolen repeatedly so that I could never actually borrow it while I was there. Andi is a high school senior in NYC whose life is a mess: she's depressed, suicidal, self-destructive, and has to take care of her mother who is more or less catatonic after the death of her little brother. We don't actually find out how her brother (Truman) died until late into the book, but we know from the beginning that there was something very wrong about what happened. The only thing keeping Andi going is playing her guitar and her music lessons at school. During winter break she's hauled off to Paris by her mostly-absent father and forced to work on her senior thesis, a project about musical DNA starting with a fictional French composer named Mahlerbeau who lived during the French Revolution. And then things get weird.

The book is long and I was surprised at how quickly it went by. Andi is definitely not a happy camper and she makes sure everyone around her knows it. At times it almost goes overboard but generally the author does a good job of showing a person who's been stuck in despair for two years now and is barely hanging on. The portion of the story set in France really grabbed me and I laughed in many of the scenes when Andi is describing her rich, pretentious classmates.

Bury My Heart at Wounded Knee has been on my To Read list for years. It's a non-fiction book about Native Americans during the second half of the 19th century. Predictably, it's depressing and harrowing, but always fascinating. I knew a little bit of the tribes and events Brown recounts, but most of the specifics were new to me. It focuses primarily on the western half of the country though trips to Washington, D.C. turn up occasionally. Some of the things I'd vaugely known of before reading this book but didn't really learn about till now where Geronimo, Custer, the Ghost Dance, and the origin of the saying "The only good Indian is a dead Indian."

One of the things that surprised me were the examples of people in the U.S. government and military who actually tried to help the various tribes and make things better, but these people were typically changed to a different position, fired, or driven to the point where they resigned. I think my favorite is a white mail carrier who'd been harassed by a tribe (I'm sorry, I didn't write down which tribe or chapter this happens in and it's a very long book) while carrying out his duties to the point where he almost quits. One day, he waltzes up to where the tribe is currently camped, sets down the gun he carries, and walks right up to their chief and sits down to work things out. Look, I'm just trying to do my job, I'm not trying to do anything on your land except get through to carry the mail in and out, how about you guys get off of my back? And then the mail carrier and the chief became friends and stayed friends for the rest of their lives.
amelia_petkova: (Default)
Sharing some of the books I read this year and my thoughts on them!

The Light Princess by George MacDonald: A princess is cursed to float about in the air. My favorite part is the princess's evil aunt's eyes that literally change color according to her mood.

The Jungle Book by Rudyard Kipling: I listened to a great audio book of this. It's done entirely in script format so I don't know if the actual book is very different. Eartha Kitt voiced Kaa the snake!

The Turn of the Screw by Henry James: I loved the concept of this but wish I liked the actual book more. I just think I don't care for James's writing style.

Fried Green Tomatoes at the Whistlestop Care by Fannie Flagg: Another audio book winner. The accents were so great and I loved the characters, both in the present day and in the "past" sections of the story. Idgie and Ruth are so great together and I was crying by the end of the book. I really need to watch the whole movie adaptation at some point.

Irish Earth Folk by Diarmuid MacManus: I'm always a sucker for books of folktales and folklore, and the fact that this book's focus is on a certain geographic area and all the stories are connected to people that either the author knew or are told by friends of friends made it especially interesting.

The Doomsday Book by Connie Willis: Time travel to the Middle Ages and our protagonist accidentally ends up in the period of the Black Death. A great book and totally heartbreaking in parts.

The Suspicions of Mr. Whicher by Kate Summerscale: True crime about the murder of a child in Victorian England. So, so good and I really need to write a longer post about it because the events were a major inspiration for...

The Moonstone by Wilkie Collins: Great mystery novel. I'm still surprised that I enjoy Collins so much, given that he was major buddies with Charles Dickins and and I couldn't stand Dickens when I had to read him in high school.

Station Eleven by Emily St. John Mandel: One of the only dystopia/post-apocalyptic novels I've really enjoyed and wanted to re-read.

A Desperate Fortune by Susanne Kearsley: Not my favorite Kearsley novel that I've read--I'm not as into Jacobins as she is--but I still liked it a lot. Notable for having a heroine with Asperger's who's treated well by the story, though I can't say how accurate the depiction is.

The Duchess by Amanda Foreman: A biography of Georgiana, Duchess of Devonshire. A very fascinating woman who got married way too young, was really good at politics, and had an astounding gambling problem.

The Princess and the Goblin by George Macdonald: I liked this one just as much as The Light Princess. I've had a copy of this book for years but never got around to reading it until now. Curdie is clearly the most capable character in the entire book.

Lud-in-the Mist by Hope Mirrlees: A 1920s fantasy novel that I partly liked so much because the style is so different from current fantasy. Also, fairy fruit that makes people act unnaturally is a major part of the plot and I'm always up for that.

The Forgotten Garden by Kate Morton: Takes place in present-day Australia and Victorian England. A woman finds out that she was abandoned and then adopted as a child and tries to find out her origins. It took me a little while to get into things, but by the time I'd gotten halfway through the book I didn't want to put it down.

The Mabinogion, Sioned Davies edition: I love it so much! I'm really glad that this is the version I had when I finally got around to reading these stories.

Miss Pettigrew Lives For a Day by Winifred Watson: Turned out to be a lot different from the film version. A light, quick novel that's completely delightful and Miss Pettigrew has the wonderful time she's long deserved.

The Plague of Doves by Louise Erdrich: The first of Erdrich's novels I've read and I definitely want to read more of her works.

The Romanov Bride by Robert Alexander: Historical fiction about Grand Duchess Elizabeth Feodorovna of Russia and the Russian Revolution. The Kitchen Boy was the first Alexander novel I read and this one is just as good.

Jane Austen at Home by Lucy Worsley: Notable in that it's as much about the Georgian period as Jane Austen. I knew a fair bit about her already from the Austen class I took in college but I learned a lot more from this book.

Arrowood by Laura McHugh: A young woman returns to her family's home where her baby sisters disappeared when she was a young child. Very Gothic.

Buried in a Bog by Sheila Connolly: First novel in a mystery series set in County Cork, Ireland. I wish it had been more about bog bodies, but otherwise I liked it.
amelia_petkova: (Default)
Try to write a filk song of "He Had It Coming" from the POV of Marian in "The Woman in White".
amelia_petkova: (Default)
I'm only through Books 1 and 2 of the super-long Le Morte d'Arthur and I kind of want to have a drinking game where you take a shot every time somebody dies but then you'd die of alcohol poisoning after five pages and you wouldn't even get to have Merlin make a pretty tomb for you.
amelia_petkova: (Default)
I'm about halfway through Wilkie Collins's The Woman in White now and I've been taking a break from it for...at least a week, because that was a lot of Victorian lit I zoomed through and I need to digest it before continuing.

To sum up what's been happening, Marian Halcombe (who is the BEST EVER, I love her so much) and Walter Hartright get their Scooby Doo on to find out who sent the engaged Laura Fairlie an anonymous letter warning her against marrying Sir Percival Glyde. Unsurprising spoilers: it was Anne Catherick. Unfortunately, they can't get her to talk with Laura face-to-face and tell her exactly why she shouldn't marry Sir Ominous Name. Walter Hartright soon takes off because he and Laura have fallen in love with each other but she still plans on marrying her fiance.

Laura Fairlie is one of those people who's honest to a fault. There are so many red flags with this wedding, starting with when she tells Sir Percival that she can never love him because she's in love with somebody else and his reaction is, "So...you're saying you'll still marry me unless I release you from our engagement anyway? Let's get married!" There's also pre-nup shenanigans involving money.

Other events include the revelation that Sir Percival is an asshole as soon as the wedding is over, the presence of Count Fosco and his wife (Laura's estranged aunt) who are both immensely creepy, and the reappearance of Anne Catherick, who I feel sorry for because she is clearly mentally unwell and was locked up in an insane asylum against her will, but also causes frustration because oh my God Anne, just spill the beans and tell the big secret about Sir Percival already!

One of the things that has stuck out to me the most is how Marian and Laura are trapped in what's turning out to be a horror scenario by good breeding and the expectations of polite behavior. Laura can't bring herself to break this engagement that is clearly bad news because it's what her deceased father wanted. Marian can't tell Sir Percival to drop dead when he's being horrible. None of them can tell Count Fosco to get lost when he's being weird and forcing his company on them.

And here's the biggest one: after a scene in which Sir Percival does everything short of physical abuse to force his wife to sign an agreement that he won't let her read and she succeeds in refusing, the women stay at the house. They go with what seems to be the best solution: send a letter to Laura's lawyer in London, asking for advice on how to continue refusing. That's good enough, but what the reader really wants them to do is leave the house immediately and put a safe distance between Sir Percival, and Marian and Laura. It's likely that he'd be able to get her under his control again because they're married and this is Victorian England, but if the sisters could at least reach their family's lawyer in London they'd be able to make a better plan and put a building between themselves and the men in their lives who are clearly up to no good.
amelia_petkova: (Default)
One of my goals this year has been to read and cross off books from my To Read list. Since The Woman in White by Wilkie Collins has been on my list so long that I didn't remember what it's about or why I put it on my list, I had to read it. I'm about 30 pages in and want to write down what I think so far before any plot twists turn up. This novel started its publication as a serial in 1859 and I haven't read a lot of Victorian literature, so I'm not sure how it might turn out.

Walter Hartright is a drawing instructor in his late 20s who has just applied to and accepted a job posting of tutor for several months to two young women at an estate in Cumbria (northern England). On the night that he's thinking about the job offer and walking home to London, he meets a nervous woman all in white who makes him promise multiple times to escort her safely to London and leave her when she asks, and she's very relieved when he doesn't know a certain nobleman. He overhears several men after he leaves her and discovers she has escaped from...an asylum!

So far he's met only one of the young ladies who's described as being the most ladylike and wonderful person from the back, then when she turns around..."Never was the old conventional maxim, that Nature cannot err, more flatly contradicted--never was the fair promise of a lovely figure more strangely and startlingly belied by the face and head that crowned it." Marian Halcombe is described as "almost swarthy" with brown eyes and "thick, coal-black hair growing unusually low down on her forehead." Is she meant to be of partial African or southern European descent? We haven't met her half-sister yet but I have a feeling she'll be blonde and blue-eyed, or otherwise a stereotypically beautiful Englishwoman.

They also have an invalid uncle, no companions other than servants, and two female companions who left recently due to the presence of too many women and not enough social activities.

I don't have many guesses as to what will happen next, but there are almost 600 pages to go and I look forward to shenanigans.

Pangur Ban

Aug. 20th, 2016 06:19 pm
amelia_petkova: (Default)
The medievalists on my friends list are gonna like this. (My apologies for leaving off the accent mark--I don't know how to add it when typing online.)

For a brief overview, "Pangur Ban" is a poem that was written by an Irish monk in the 9th century C.E. What is it about? It's about the monk's white cat who shares his room and chases mice while the monk focuses on his studies.

Now for the fun part: my new favorite book at work is a children's picture book titled The White Cat and the Monk. It's a sweet book that retells the poem with wonderful illustrations showing the cat and monk at their duties throughout the monastery at night until dawn arrives. It even has a historical note at the end!

I love that people were writing poems about their cats over 1,200 years ago; I love that the monk basically named his pet "White Cat"; I love that the monk's poem about his cat has survived all that time; and above all, I love that somebody in the present day thought it was worth making into a book for children. When I'm having a rough day, all of this makes me smile.

You can read the poem itself here.
amelia_petkova: (Default)
So I just finished reading We Have Always Lived in the Castle.

Yikes.

Spoilers, spoilers, nothing but spoilers ahead:

Read more... )

Talk about a creepy ending!
amelia_petkova: (Default)
I have had this book on my To Read list for years and I finally borrowed it from the library. Shirley Jackson is the master of slow-reveal, creeping horror and I LOVE IT. The only other works of hers I've read so far are "The Lottery" and "The Haunting of Hill House."

I knew absolutely nothing about it going in, and I think that's the best way to go because it made even the beginning reveals a surprise. I'm only four chapters in and I want to make some notes on my observations and predictions before I get too farther in. Spoilers for only the beginning of the novel at this point

Read more... )

Something horrible is definitely going to happen in the book and I can't wait to find out how it all goes down.
amelia_petkova: (lenore)
I just read a review of "Sisi", the newest novel about Empress Elisabeth by Allison Pataki. Near the beginning, the review says, "She was the Princess Diana of her time, a storied beauty who longed for more than the trappings of royalty. So why has Sisi been largely lost to history?"

Um.

The musical "Elisabeth" has been around since 1992, it's been translated into multiple languages so that it can be performed in multiple countries, and has been seen by millions of people. I wouldn't consider Sisi as being "largely lost to history".
amelia_petkova: (lenore)
It's Peter S. Beagle's birthday today. Hi, Peter S. Beagle! Today's plans have shifted to include listening to The Last Unicorn soundtrack. I'd go on a reading marathon of the books I own by him, if I didn't have so much to get done before work.

And talking about this reminds me of how much I LOVE his writing. If I ever get to the point where I can write half as well as him, I can die happy.

ETA: The Last Unicorn is over 40 years old!
amelia_petkova: (pre-raph Persephone)
I finally got around to reading "Táin Bo Cuailnge" (listening to "The Tain" by the Decemberists is gong to make so much more sense now). After asking for recommendations, I read the edition by Thomas Kinsella and it's great. The story is very accessible, the introduction has a lot of useful information, and there are several maps that turned out to be helpful when I was reading. Years ago on a whim I bought the "Oxford Dictionary of Celtic Mythology" which, besides being interesting on its own, let me refer to it to make sure I didn't miss anything while I was reading the epic.

Some thoughts, more or less in the order of the plot )

Great story, would read it again.
amelia_petkova: (pre-raph Persephone)
I read Bacchae by Euripides because of Hannibal. No, really. I lurk on Tumblr a bit and stumbled across this great analysis of similarities between Season 1 of Hannibal and the play. It’s a wonderfully screwed-up play, like the rest of Greek tragedy, and everybody should read it even if you don’t care about Hannibal.

(Also: for the most part I don’t care about award shows, but Hannibal didn’t get one single Emmy nomination? Not even for cinematography? Are you kidding me?)

I haven’t read large amounts of Ancient Greek dramas, but I think Euripides is my favorite playwright out of all the ones I’ve experienced so far. I was already familiar with Medea, but the anthology I borrowed for Bacchae also included Trojan Women.

EVERYTHING THAT HAPPENS IN THIS PLAY IS AWFUL AND I LOVE IT.

It takes place after Troy has been captured by the Greeks and the women of Troy are being taken away as slaves. Poor Hecuba, the queen of Troy, has seen all of her family members either killed or enslaved, and even she is being sent away as a slave to Odysseus’s wife, Penelope.

As much as I feel sorry for everybody in this play, Cassandra is my favorite character. Rather than just being a passive victim who’s been driven mad by her curse, she’s more or less accepted her fate as a slave to Agamemnon (and later to be killed by Clytemnestra), and is determined to FUCK THEIR SHIT UP. (She’s still unstable, but not without a mission.) She says to Hecuba,

“Mother, crown me with a victory wreath, and celebrate my marriage to a king! Take me to him and, if I hesitate, force me. For if Apollo told the truth, my marriage to Agamemnon, leader of the Greeks, will be more painful to him than Helen’s. I shall kill Agamemnon and destroy his home; he will pay in blood for what he did to my brothers and father. I won’t talk about the rest: I won’t sing about the axe at my throat, or the murder of the others, or the agony of matricide that my murder will set in motion, besides the overthrow of the house of Atreus.”

She then goes on to talk about how their people are more fortunate than the Greeks, because the Trojans have the glory of defending their home and being with their loved ones when they die. I think this quote sums it up best:

“They [the Greeks] sent thousands to their deaths for the sake of one woman, and one love affair, when they chased after Helen. Look at this clever general, who destroyed what he loved most, for what was most hated; he gave up the pleasures of his children at home for the sake of his brother’s wife who left home willingly; she was not raped.”

“When life gives you lemons, make lemonade” is a totally inappropriate analogy but it’s what popped into my head nonetheless.

I would have to say that the saddest part is that Andromache’s young son is taken from her and killed by the Greeks during the play—he’s not already dead when it begins. He dies because the Greeks are scared that the continued existence of Hector’s son could give the Trojans hope.

Thanks for ripping out my heart, Euripides. It’s not like I needed it or anything.
amelia_petkova: (Princess Bride icon)
Can anybody recommend a good edition of the Tain Bo Cuailnge? Alternately, any editions you recommend avoiding would also be helpful. I'm planning on reading it for the first time.

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